This video clip is going up hella late.  By this point, I am well into the painting process (progress is steady on point).  I decided that I won’t show ANY of the painting until AFTER March 6th.  Since my commissioners are flying me out to Cleveland for an official unveiling event (next Friday), I want to keep it as a special premiere for them.   How anti-climatic would it be if EVERY track off a new album was leaked before the official release date? Boring.

As a commissioned piece, it’s important to be meticulous in all steps of production—brainstorming, prepping and execution (NO ROOM FOR F UPS!).  If you’re an artist and you’ve done this before, this video will be terribly boring.  If you’re not an artist, this video will probably still be boring for you.  It shows my process of precisely measuring 3 x 5 ft with a 1 inch border all around, centered within 4 x 8 feet of canvas.  The commissioners will be stretching and framing the painting, so it was important that I left them a small border all around.  Also, it’s important to account for variable degrees of (canvas) shrinking through the gesso and painting process. My favorite part of this was using the chalk line. It is so much fun.  I definitely recommend people trying it out at least one time in their lives :)

(Thank you to SWAT for helping and Amy Zahlaway behind the camera).

Readership’s Hit List:

I had the best time with Ruby last night at our all night slumber party.  We were going to town with the girl talk.  At one point, our conversation hit, “Damn, I shoulda been a chickenhead!”  I take pride in the life I lead, I do.  I strive to be creative, outspoken and firmly grounded in my values. But shit is not easy—ever.  And I’ll admit I have my moments where I question the path I’ve chosen and I consider how much easier it could be if I just didn’t try or think so hard.  It’s hard trying to carve this unknown path.  It’s hard being a lady with some damn opinions when people don’t want to take me seriously half the time.  On top of it all, I’ve been in a butt-face mood all week because I am so damn tired from working hella hours hella days and nights.  Independent hustle.

That being said, sometimes I think about how good chickenheads got it.  Chickenheads get HELLA LOVE!  They get to take take take with a little booty shake.  Like damn, SNOOKIE is crazy ballin’ from $10,000 PER club appearance.  For what?  For being trashy on TV?  Can’t I do that? I think I can.  Seems easy enough.  Call me a hater, whatever.   But maybe that’s the problem, it’s too easy.

When it comes down to it, I can never be a chickenhead. Not at this point.  There’s no turning back.  I wouldn’t be able to live with myself given all the knowledge I’ve accumulated over the years.  (I can’t even listen to the New Boys!!).  Even though the luxury and excitement of a chickenhead is tempting, that lifestyle isn’t self-sustaining.  Ever since I was younger, I was so self-conscious of my looks because I wanted to prove myself through my mind and not my body.  As I grow, I’m trying to understand the balance between freely expressing my sexuality and not exploiting my body.  The problem with chickenheads is that it builds a lifestyle dependent on other people’s luxury.  Chickenheads become the object of other people’s wants;  they constantly have to be ready to please and satisfy others.  I’m not really talking about chickenheads anymore.  I’m talking about the healthy choices for women to empower themselves through self-sustaining lifestyles.  We’re already living in a man’s world.  Do our lives have to be centered around what a man thinks and wants too? I’m not talking about being alone.  Independence and loneliness are two very different things. All women want some love!  Recenter and refocus on ourselves within.  LOVE.

Homies at the iLL-house dropped the FIRST track from their new collaborative music project: Doyoudonotsee? !!!

Doyoudonotsee?: Artistic Direction from ill-literacy on Vimeo.

They’ve done it again. Coming out with new hot shit that isn’t just entertaining, but brilliantly conceived and deeply insightful.

I have to run and pick up Ms. Universe now but I will return with a more lengthy post about why iLL-Lit deserve their own zip code.  Their oozing creative genius cannot be contained!!

DON’T SLEEP. Watch the video to find out more.

I can’t help it if I got dope friends.  No homie bias.

ORDER ORDER ORDER.
PACKAGE PACKAGE PACKAGE.
TRACKING TRACKING TRACKING.

I understand a need for “civilized order” in society, but America has taken it to some detrimental extremes.  At the supermarket, I found PEELED garlic cloves INDIVIDUALLY wrapped in plastic then wrapped in MORE plastic.   WTF is that shit? That’s laziness and it is wasteful for the environment.  On a social level, systematic discrimination becomes institutionalized with the “tracking system” within public education.  At a very young age, systems try to determine each child’s success rate and invests in them appropriately—so kids who color outside the lines get condemned and those who wipe up the crumbs get more juice.  Does that make sense?  Power hungry America can be so stifling on our creative expansion when people up top are trying to maintain the status quo.  Life, ideas and decisions can begin to feel very narrow.  Packaging yourself up to fit within a predetermined role can make you feel so small small small.

That’s why I love art.  Art challenges me to stretch my imagination and exercise my critical thinking skills beyond standard conventions.  Art helps me look at and understand the world through a different lens, from a different angle, on a different scale.  Even more, art allows me to connect with people through a universal language.

That being said, check out Ron Mueck.  He’s thinking big big big.

I love this song because it made me feel like being MADD average was MADD cool.  I grew up hella tom boy-ish with the denim overalls and one strap hanging over my shoulder.  That swinging strap made me feel hella bad ass.

I apologize for the skimp posts lately. I’ve been madd tired all week with late nighters working on the Oberlin painting and other projects rising on the radar.   Painting has been a little frustrating because I’ve been working on the same area for three days now.  I’m so meticulous with the layers and building tonal value.  It requires a lot of patience.  I’m taking a break from painting tomorrow because I will be hosting Ms. Universe from New York for one night.  I’m excited to return to the painting Friday, Saturday, Sunday and beyond and move on to a new part of the painting.

I need to tie up some loose ends over the next week before March madness comes (4 different cities and counting!).  New updates to be announced soon!  I’m a little all over the place though.  I gave up caffeine two weeks ago because I wanted to eliminate the jitters and stabilize my hand for drawing and playing piano again.  Did I mention I’m really tired? Thanks for reading this boring and pointless post! I feel like I should say something “profound” here…Tiger Tiger Woods, y’all!!

Oh yea, I’m feelin’  Kanye’s new blog…SIMPLISTICALLY ILL!!!

New Orleans never left the map!!

When I was younger, I didn’t want to play a wind instrument because I thought it would make my face expand like the blow fish from the Little Mermaid (cue at 2:04):


I dabbled in some recorder and xylophone lessons (elementary music class), and finally committed myself to ten years of classical training in the piano. Yeeeeees!  Sexy grand pianos are my weakness.  Anyways, check out New Orleans’ finest, Trombone Shorty. He is SO ILL WID IT! Don’t sleep on New Orleans…even though Bush did.

Click here for more Trombone Shorty

I like this painting.

It’s called “GIMME GIMME GIMME” by Robt Williams. He is a clever guy and he’s got many more.

Artist’s Claim: Everything you see below is subject to change at any point without notice!! :)

This is the NEAR final sketch for the Oberlin Project.  It mostly shows major elements and composition.  Planning is necessary, but I also like to leave room for some freestyling and freewilding.   New inspiration comes in the moment of painting—with the right jams and the right light and the right vibe, things can appear and come together in a new way.  One major element I know I left out here is the text—Angel island poems and the conference title.

Given so much creative freedom within such a broad theme, “Asian American activism”, I didn’t know where to start.  This shit was tough.   I wanted it to be clear enough without being cliche.  I wanted it to be unique/original without being too tongue-in-cheek.  I wanted it to be personal but still relatable to others.  I had 3×5 ft (not much) to convey an incredible message.  Picking and choosing which elements to bring together made me feel like Kat Von D in that episode of LA Ink where she had to choose 4 out of 17 staff members to paint on the mural:

I can write an essay about the significance of each element alone (future blog series? Maybe).  But I want to leave room for the viewer to interpret and find personal meaning in the piece as well.  There’s no fun in breaking everything down at once.

In brief, here are some of the reasons why I incorporated each element:

Lotus flowers: Common symbol throughout East Asian and Southeast Asian cultures (Buddhism).  Lotus flowers simultaneously live in all four elements at once (grow in the mud, rise in the water, breathe in the air, blooms in the sun). They also represent beauty through struggle—similar to the Tupac’s analogy of “The Rose That Grew From Concrete”.

Waves: One of the most powerful and destructive natural elements.  Also represents immigration, diaspora and refugee movements (the wind that set our roots in America).  Also to go along with common concepts of “swimming against the current” to highlight the spirit of resistance in activism.

Freedom fighter: The Vietnam War era influenced all social movements in America.  Activists and revolutionaries such as the Black Panther Party openly expressed their solidarity with Third World fighters.   Also drawing on the principles of self-determination, defiance, guerilla tactics and courage.

Tiger: This tiger is taken from propaganda art during the eviction of I-Hotel residents—marking one of the greatest injustices by corporate America and greatest protests within Asian American history.  It also draws parallel characteristics to the Panter’s logo; both represent power and fierceness.  If you want to go deeper, we can talk about blending in, assimilation, standing out and all that good stuff within racialized America.

Old woman holding the paper: I like this image because it made me so happy to see an older Asian woman fight for her right.  I’m replacing the original text (Chinese characters) with something else.

Man with the pumping fist: I chose the image of this guy because I liked the passion in his face.  It’s different from the predictable militant, mean-muggin’, pumping fist prototype.  Not that there is anything wrong with that.  I just wanted to show another angle.

Yuri Kochiyama: Of course, right? I thought about Ronald Takaki and Richard Aoki. I didn’t want all three of them up there because that felt too predictable for me.  Plus, as I said in an earlier post, I wanted to avoid too much messiah messaging and more recognizing the unrecognized.

Angel Island poems: Not in the sketch yet—but the poems represent the voices of early pioneers in the Asian American community.

So there you have it.  Weeks of brainstorming have brought me down to those main elements.  I got all my supplies today so will be starting on the painting tomorrow.  I would also like to mention that I gave up caffeine!! Eleven days strong!! YEA!! Thanks for reading. Stay posted.

I primed the raw canvas today so it could dry overnight and be ready to paint by the weekend. For those of you who may not know, priming is preparing the canvas with a type of “white paint” so it is ready to paint on.  It’s like “filling in the holes” of the raw canvas to create a smooth surface for paint to stick to without fading into absorption on the canvas threads.  Watching the canvas get primed really isn’t that exciting but I wanted to document this process from beginning to end.  Can you count how many times I said, “As you can see??” Sorry I didn’t realize how annoying that was until I got to editing! Haha.

HOW TO PRIME YOUR OWN CANVAS:

1) Lay down the tarp unless you don’t mind the mess
2) Lay the piece of raw canvas flat on top.  This is better than stapling the canvas to the wall because the canvas will shrink with the gesso then become warped
3) Add a little bit of water to the gesso and stir
4) Pour gesso on canvas and start rolling it out evenly.
5) Put your back into it.
6) Let gesso dry to touch then do a second coat
7) Check for raw spots at an angle or else the canvas will absorb your paint differently
8 ) Let dry and you’re ready to paint!

Special thanks to Swiz on the camera and Problak (dude cutting hair) for letting me borrow his fly painting pants and sandals.

YEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEESSSSSSSSS!!!!!!!!!

LISTEN!!!!: HERE

MOREEEEEEE: WONDALAND ARTS SOCIETY

I just stumbled on this DOPE DOPE website: Asian American Movement 1968.

It’s the MOST comprehensive archive of the history of the Asian American Movement I’ve personally seen—all in one place (on the web).  From the Vietnam War to the San Francisco Strikes to MLK’s assassination to the Black Panther Party to the Third Word Liberation Front to the i-Hotel to the upheaval of an entire nation—this site tells the people’s history from the people’s voice.  DAMN, I could’ve skipped college for this.  I don’t think you understand how special this is to me.  I feel like I just landed on a gold mine of knowledge.  And it’s not like I haven’t already dedicated my high school and college years to learning everything I could about the pedagogy-of-the-oppressed-five-percenter-consciousness-to-dismantle-the-system-and-shift-the-paradigm-to-elevate-people-from-the-grassroots-and-beyond stuff (there is still SO MUCH to learn.  Consciousness is ever expanding for the perpetual student). Shout out to my UCLA Bruins, WHAT!

Upon exploring the site I was infused with nerdy college nostalgia and an immense HOPE for the future.  Yes, history gives hope for the future.  Mostly because this information is NOW readily available for the WHOLE world at the click of a button (HOT DAMN, the internet is crazy…in the best and worst ways.  I’m trying to keep up).  And yes, the internet is dope in this way because it allows for the creation of alternative media to challenge the master narrative; in this case, it is highlighting and recognizing the social, cultural and political contributions of Asian Americans in this nation.  This information is now available for all the young Asian kids trying to better understand their identity and history as an Asian American trapped between stereotypes of the perpetual foreigner and the passive slap monkey.  It’s available for all the Asian Americans who want to ditch their ethnic identity and claim “whiteness” through a “post-racial” assimilation. It’s available for anyone and everyone who want to better understand the history of America.  It’s available for anyone and everyone who want to better understand themselves.

NO BULLSHIT.  GET FAMILIAR.

Oh yea, this site is definitely giving me inspiration for the Oberlin Project!!

I finally got some video clips of my Sulu Series performance @ Bowery Poetry Club in NYC back in January.  Kinda bad news—I was only able to get 2 out of the 4 pieces; the other two got cut off when we had to change the memory stick. Womp.  Good news—the 2 videos are new pieces that haven’t been uploaded to YouTube yet! Word! I feel kind of weird embedding videos of myself on my own blog with pictures of myself talking about myself (is that self-absorbed??), so I’ll just lay down the links for y’all!!  Thanks for reading.  Enjoy.

“Gangsta Momma”


“Hello Death”

From 1910 to 1940, Angel Island in San Francisco Bay was the only portal for Chinese immigrants to enter America.  Immigrants were detained for days to years before they were “admitted”.  During this time, the detainees carved and ink brushed their concerns on the walls of their barracks.  One hundred thirty-five poems survived—telling the stories of their voyage, attitudes toward American encounters, racism and the triumphs and disappointments of the immigration experience.

This discovery is amazing to me.  The concept of scrawls on the wall goes as far back as cave people drawings to Egyptian hieroglypics and visible today through graffiti.  It makes me believe that across time, cultures and civilizations, the need for personal stories to be documented and felt is not just necessary, but also universally shared.

Readership’s Hit List:

My brainstorm for the Oberlin Project is leading me to focus a lot on the values, principles and spirit of Asian American activism.  I haven’t totally ditched the obvious, visible representations of this (protestors, megaphones, picket signs, Kochiyama, Takaki, etc.).  I’m just trying to explore the different ways we can think about and understand activism through the Asian American experience.  I’m pulling lots of different elements together, from symbols to people.  A new edition to the mix is now Angel Island!! In my last post about the Oberlin Project, I explored the concepts of messiahs and leadership within Asian American community, the lack of visible role models and acknowledgment that the movement is often driven by many unknown leaders.  In my attempt to visually represent Asian American activism with this project, I want to shift the way we recognize leadership by paying homage to the less obvious and under-acknowledged—such as with the Chinese immigrants of Angel Island.  Essentially, these immigrants were pioneers to carve the entryway and experience for future generations in America.  They endured much racism, injustice and exclusionary laws that shaped the future of interracial relations in America.  Ultimately, these pioneers represent an unbeatable spirit of determination, resilience and courage in the face of American resistance.  Their struggle to plant roots and build communities in this country has evidently thrived with the growing Asian American community today.

I’m thinking about how I can incorporate the voices of these pioneers in the Oberlin Project. Maybe I’ll translate their poems through a dope graffiti hand style.  This could create some nice texture in the background too.  I’m still working it out. Stay posted. :)

I don’t drink Pepsi, but I can get down with FREE MONEY!  Pepsi is giving away over $1 million for good ideas to change the world.

It’s a NEW YEAR y’all.  Everyday is a brand new day for new ideas and new beginnings.  Everyday I try to live my life by doing things to better myself and better those around me.  Pepsi is pretty ill for launching this FREE MONEY project.  It encourages people to imagine a better world and then Pepsi helps them with the financial means to MAKE IT HAPPEN.  WORD!!  I used to be scared of money—capitalism has given money such an evil face, so I’d rather not meet it.  They say money is power and it’s definitely had a destructive track record on the poor, working class and developing nations.  But money IS power which means it has the potential to do positive things as well.  Throughout my life’s journey I’m learning to understand money NOT as the end goal, but money as a MEANS.  Money is energy to create and produce more positive energy—via art projects, family, health, etc.  So I can honestly say GIMME GIMME GIMME MONEY MONEY MONEY without being hungry for the money. I’m REALLY hungry for the possibility of what comes from the money.  It’s like money are the ingredients for what you really want.  I LOVE Funfetti cake.  To make it happen I need eggs, oil, butter, flour etc.  I don’t like any of those  ingredients alone, but I will still go out of my way and run to the store to get it so I can have my cake.  FREE MONEY? HOLLA.

For more information and How To Apply, click here.

A.K.A. Lunar New Year.  Vote for your favorite Lion Dance:

I call it the Real New Year because unlike January 1st, Lunar New Year is actually in sync with the natural changes of our universe.  The “original” New Year (2000 B.C.) was celebrated around mid-March, when Spring blossomed with “new” birth and “new” beginnings (makes sense, right?). This moved to January because a few officials in power (700 B.C.) felt like changing it—typical. Click here for the low down on the History of the New Year

2010 marks the Year of the Tiger. I was born in the Year of the Tiger.  The signs say 2010 will be a BAD year for the Tiger.  Unlucky this. Unlucky that. Lose Lose Lose. Sleep with one eye open. Watch your back.  Watch your front. What the hell??  I didn’t want to believe it.  Kind of put me in a shitty rut.  This was NOT how I wanted to launch my new year. I thought I was doomed for the ditches in 2010 and was ready to drag my heels straight through to 2011.  Then I had a few phone conversations with West Coast homies, Anj & Danny, and of course these amazing spirits got my spirit lifted again.  When it comes down to it, don’t let the words and predictions of others dictate your fate.  Sometimes we accept these ideas as true, they become embedded in our minds, they manifest through our actions and become relatively self-fulfilling. At the end of the day, we have our own free will and our own determination.  Maybe 2010 won’t be the best year for me, but it doesn’t mean I’m doomed.  It just means I have to work harder for what I want.  I’d rather learn the hardships to know what success truly feels like.  With all the challenges ahead of me, I look forward to strengthening my determination with every experience.   HAPPY NEW YEAR EVERYONE!  2010 TIGER STYLE!  CELEBRATE LIFE! RAWR!

I don’t like to brag, but I just got the dopest Valentine’s Day package in the mail:

From my incredible home girl in LA, Anjali.  It’s more amazing than it looks.  The sentimental value and nostalgia almost made me cry:

1) You could always spot me with a bag of Flamin’ Hot Cheetos on campus at UCLA.  These were my shit!!

2) My mentor, Janet Brown, put me on the Uncle Eddies Vegan chocolate chip with walnut cookies.  Those were her favorite.  R.I.P.

3) I LOVE hand made cards (and hand made anything).  This card also had a poem inside about ME ME ME. YEA.

Up until this package, Valentine’s Day had completely slipped to the back of my mind.  It’s never been a big deal to me and most likely never will (I don’t believe in it, but I won’t get into the anti-anti dumb capitalist holidays commercialization of love and perpetuation of materialism riffraff right now).  This package came as the most uplifting surprise.  In fact, this is the first V-day gift I’ve gotten in SIX years.  BUCK YEA! I’m an independent lady who can def hold her own, so shit I’ll celebrate myself on Love Day.  But damn, if people are going to waste a lot of money on Valentine’s Day anyways, why not waste it on me!? I’m just saying… ;) JK.

Anjali brings it back though.  Valentine’s Day is essentially a day of love, but mainstream society has packaged the love celebrated on this day to be a very narrow view of heterosexual romances.  I may not have gotten “love” on Valentine’s Day for the past six years (ridiculously expensive roses, gargantuan teddy bears, singing telegrams, fancy dinners and whatever else “impresses” a girl), but I am blessed to know that I have love in my life every day of the year.  So whether we are single or not, we should celebrate all the different forms of love in our lives—love within friendships, love within family, love within creative passions and even love within ourselves.  Self-love reigns supreme.  Because whether we are single or not, our potential to love other people is intensified with how much we love ourselves.  Consider your body a tank of love.  The more love you fill yourSELF up with love, the more love you can have to give others.  So, LOVE and GIVE love, and you will BE LOVED.   All day everyday!! Happy V-Day everyone!

Check out these new additions to the Blogdawgs Roll Call:

The  Re-Education of Ms. FuDaddy
Keep up with the experiences, thoughts and lessons of your favorite teacher.  She’ll make you never want to miss class.

Infashuated
Get up to date on today’s fashion—spearheaded by one of Reebok’s own insider specialist.

No homie bias.

My commissioners for the Oberlin Project insisted I have complete creative freedom leaving me with only one prompt, “What comes to mind when you think about Asian American activism?”  This is the question that’s been running around and around in my mind all week through my brainstorm process.  The most prominent icons of Asian American activists pop up: Yuri Kochiyama and Ronald Takaki, and maybe Richard Aoki. But damn, what else? Who else? I didn’t want to just throw up the obvious.  At the same time, I didn’t want to ignore these figures just because it was “obvious” to me.  Many people today have yet to learn about the revolutionary work Kochiyama and Takaki accomplished in their lives.  A part of me def wanted to commemorate their legacies for future generations.  Project aside, all these thoughts and questions led me to a bigger reflection on the concept of messiahship within the Asian American movement.

Messiah leadership was very present throughout the Civil Rights Movement and Third World Liberation movements (Martin Luther King, Jr., Malcolm X, Huey Newton, Che Guevara and so on).  This was good and bad.  At that time, I believe it was necessary for the people of the oppressed to be able to see a real leader rise up in the true nature of their struggles.  Seeing a figure from the community speak out about resistance was an embodied manifestation of personal struggles and self-reflection.  If we grow up all our lives only seeing and learning about white figureheads, white revolutionaries and white presidents, we associate power with whiteness.  For the people to SEE a member of their community be in a leadership position challenging power, well then you know what they say–”Seeing is believing”.

But the problem with messiah leadership is that if you kill the messiah, you kill the movement.  The CIA knew this and the people witnessed this.  There are many reasons why the Civil Rights Movement and power struggles of the 60s and on fizzled out—one of these is largely due to the fact that major leaders were all assassinated or imprisoned.  That’s not to say movements have completely died out.  Over the decades, communities continue to organize themselves through a more powerful style of “collective leadership”.

This leads me to my reflection on messiahs within the Asian American Movement (1960s and on)—there aren’t any.  There are many reasons for why this is and I won’t try to explain all of them.  One of my theories is that the Asian American community is so disperse across ethnicities, generations and issues that it’s been hard to fight on one front at the same time.  4th generation Japanese and/or Chinese Americans may not face the same language/cultural barriers of recent Southeast Asian refugees or immigrants.  Asian American issues span from WWII Repatriation and Veterans’ Rights (regarding citizenship) to deportation, gang violence and labor (regarding citizenship AND non-citizenship).  I guess you can say the Asian American Movement consists of many movements within one—labor movements, Ethnic Studies movement, student movements, anti-deportation and more.

Another reason why I believe messiahs never rose out of the Asian American Movement is due to cultural reasons.  Asian culture and traditions are rooted in very communal and collective values of sacrifice (the idea of shipping parents off to nursing homes in America is APPALLING!).  From personal experience within the Asian American organizing community, selflessness and humility have been ingrained in me by my mentors and others around me.  EGO KILLS COMMUNITY.  We do the work we do out of passion, not obligation—a value of self-determination common from the Black Panther Party’s Ten Point Platform.  We learn to always put the community first before the self, so there was no need to claim recognition or praise for anything.  All these values have been critical to developing a collective approach to leadership within the Asian American community; but over time, I feel this has created our own layer of invisibility.  Members of other communities will never fully recognize the activism that thrives within the Asian American community; thus, our contributions to social change continue to be overshadowed by gross media representations such as the ever-so-notable Model Minority Myth.  Invisibility also hurts us internally as well—where members and future generations of the Asian American community fail to recognize other forms of positive role models and representations of the self (Tila Tequila CAN NOT be our most notable “role model”).  I believe a balance can be achieved between humility and recognition.  We may not need messiahs, but we definitely need more visible, positive role models.

So what do I do?  Do I paint Yuri Kochiyama and Ronald Takaki or not?  My hesitation comes in the fact that I know there are countless more fighters throughout the struggle and movement whose names and faces we may never recognize, so when I think about “Asian American activism”, I want to highlight this fact; I also want to avoid the pattern of idolizing certain figures into a messiah portrait.  But I don’t want to do these leaders injustice either.  I recognize the value of seeing a face like yours in a position of powerful influence.  Sometimes, because visible Asian American leader figures are so scarce, people are quickly drawn to Kochiyama and Takaki because they are visibly Asian American (and both Japanese American).  It’s like celebrity storm shadow!!  But they don’t necessarily represent all my issues as a Southeast Asian.  Through all of this exploration, I’m beginning to realize that many Asian Americans don’t just see these leaders, but we see ourselves in them.  Back to the drawing board.



Frida Kahlo, Self-Portrait on the Border Line Between Mexico and the United States.
1932. Oil on metal 31.7 x 35 cm.

The title says it all. For many bi- and multi- cultural Americans, there is a balancing act in understanding traditional and cultural values within the American context.  For me personally as a Vietnamese American, I am deeply rooted in core family values while understanding American customs.  My existence becomes a hybrid of experiences.  In this piece, Frida Kahlo draws parallels between Mexican and American values.   Oftentimes, the process of navigating both can unite contradictory ideas—creating many internal dilemmas for the embodied consciousness.  I definitely deal with my own every day.  There is so much more to what meets the eye.

This painting is an exploration of my brainstorm for the Oberlin Project.  Still coming!


Medium: Spray paint.  This painting is dope because it instantly draws me into a rainbowlicious geometric vortex. I like his work because it’s clean, sharp and involves HELLA COLORS!! I love bright colors and lots of it.

Click to check out MWMGraphics